Tuesday, December 21, 2010

Woolworth's Five and Dime


I want my dime store back. That's where I used to do m y Christmas shopping. I would have 50 cents to buy gifts for the entire family, and I would get wonderful things for them there. I remember the pseudo cloisonnne incense burner I bought for my mother one year. It was orange and green and brown, with gold beading, and I thought it was beautiful. I don't think we had any incense, but that didn't matter. To a seven year old it was magical. I bet if it was on "Antique Road Show" now, it would fetch a pretty penny. Woolworth's was full of bright, shiny things, which was what Christmas was all about. In those days, there were tons of things that were actually five or ten cents in price. I think that incense burner was a whole quarter, which meant that the other family members got lesser treasures. You could also find great wind-up toys, little china dolls or animal families, tops, marbles, Big Little books, and all those things that no longer exist in the world of children, so are not missed.
These stores were still around when my children were little, and that's where they shopped at Christmas, too. I still have a few things they bought down at the Woolworth's at University Plaza years ago, like a gold-sh locket , in which I put their pictures, and a necklace with a big "G" on it. Never go me a fake cloisonne incense burner. I think they had better taste, or figured that I had.

Even when prices rose above 5 and 10 cents, dime stores were great places to find simple things: dish towels, kitchen gadgets, gold fish and turtles, coloring books and paper dolls. What reminded me of this is that yesterday, John decided that we should make gingerbread men. I had tossed out all my cookie cutters years ago and I realized that there was no dime store to go to to find a new one. All of that stuff is now relegated to specialty kitchen stores, which carry over priced gadgets for people whose hobby is cooking. Coking as a hobby! What a concept.

The same thing happened a few years ago when I broke my glass juicer, a simple reamer I had had for 40 years or so, which I had probably gotten at Woolworth's, along with a spatula or a slotted spoon. I went to the only outlet available to me - ugh - Walmart - which had destroyed the local very fine Kmart, which was a really good substitute for the old dime store. In fact, I think Kmart is descended from the old Kress' (in the South) or Kresge's in the North. So I'm at -ugh- Walmart, and I ask where the juicers' are, and the guy led me to the housewares department and shows me this cheap plastic thing. I said, "But I want a glass one like the one I broke. I'd had it for forty years." He smiled and said,"You 'd had it for forty years or more. That's exactly why they don't make that kind any more." So I ended up finding one at an antique store, and I treat it very carefully.

So, anyway, there was no handy Woolworth's, McCrory's or Kresge's to go to to find a gingerbread man cookie cutter. As I was on a bit of a journey to find a gift, I realized that I was going right by one of those complexes (Aurora Farms)which has tons of shops, including a couple of kitchen ones, I drove around and found a parking spot not too far from one of them, went in , asked a lady in an apron if they had such a thing and they did. It wasn't even expensive. It wasn't exactly the shape I was looking for, and it looked like a person of indeterminate sex, but a person for all that, so I bought it. Since I wasn't in a dime store, there was really nothing else to look at except that they had tons of sample's of their specialty dips, so I grazed thorough a number of them and left. When I got home, I discovered that John and Polly had found an almost identical one, even cheaper, at another kitchen shop in Hudson, a very posh one that offers gourmet cooking classes for those for whom cooking is a hobby instead of a *&#$@% chore that you have to do every day.

But I digress. Had there been a Woolworth's handy, it would have been so much more fun and lots more things to browse. I used to buy a very fine journal there every year until they closed. No one else has them, so I don't even keep a journal any more. There were still Woolworth's in England , at least a few years ago in Scunthorpe, where I bought a very fine tea cozy. It was just like the ones we used to have here. Lovely. I always loved dime stores.

Monday, December 13, 2010

Beware the Grand Inquisitor!

This is not about a Monty Python skit, although I half expected Terry Jones to appear when one of the characters sang this phrase twice - in Italian, which I don't understand, but there were subtitles. I went to see "Don Carlo" on Saturday, the live from the Met HD version. It's the reddest opera I've ever seem. The set and costumes designers went a bit too far here with the most blazing shades if red in the spectrum.

The story is as follows: Don Carlo, the prince of Spain, is betrothed to Elizabeth, Princess of France, one of those deals they used to do with helpless royal offspring, where they'll meet for the first time on their wedding day. BUT - they accidentally meet in a forest, so they can sing a duet and fall in love. Their countries are at war, and unbeknown st to them, Carlo's Pa, Filippo, decides that HE wants to marry Elizabeth, as part of a deal to end the war, the bastard! A side story involves Carlo's BFF Roderigo, who's a baritone, so that he and Carlo, who's a tenor, can sing a really great duet professing their BFF-ishness, and they hug a lot during this number and swear their undying love and all, and you start to wonder. Roderigo goes off to help the Flemish (at least the people of Flanders, and I don't think they're call Flanderish) and asks Carlo to ask his Pa to call off his Spanish conquerors and leave the Flanders folks be.

Well, there's a lot of singing and all, and there goes Elizabeth walking around in very red clothes with Filippo,m who's also clad in crimson, and Carlo, in black as befits a heartbroken prince, weeps and moans like a bastard. This is 16th century Spain and the Inquisition is still the main hobby of the Church, and when Roderigo comes back from Flanders and confronts Filippo about his unjust war on Flanders, Filippo tells him, "Beware the Grand Inquisitor!" Since the Church pretty much ran the world in those days, if you piss off the king, you're dissing the Church, so you'd better beware the Grand Inquisitor and all

So there's this scene with Filippo singing this gorgeous aria, about how Elizabeth never loved him - duh!- an he makes a deal with the G.I. to turn his own son into the Inquisition, along with Roderigo. At least I think that's what the deal was. Anyway, Roderigo gets shot during an Auto da Fe, with people getting burned all up behind a huge scrim with the face of Jesus on it, in case you didn't get the irony. Carlo cradles Roderigo in his arms. Roderigo singes "Morire" or something like that which means "I'm dying here, but first, I'm gonna sing ya a little tune," which he does, a very beautiful aria and all He's singing this while lying on the ground with this huge starchy collar almost covering his mouth. He dies, finally A few minutes later, Carlo gets stuck with a sword by somebody I didn't know, and the ghost of his grandfather - Filippo's father- takes him away to Paradise, where Roderigo awaits! And Elizabeth is left with Filippo, the bastard.

It's a five hour opera and the best music is in the last act, and I enjoyed the whole thing Those wacky royals and priests! Those folks who want a theocracy should check out this opera.

Monday, November 29, 2010

Pleasurs of Flesh


The best part of Thanksgiving, for me, are the days after, when fine turkey sandwiches are available until there's nothing left but the carcass. The perfect turkey sandwich is made as follows: white bread, mayonnaise, white meat with a sprinkle of salt, accompanied by a glass of cold milk. I have done this with whole grain bread, dressing and cranberry sauce, but this year the dressing was so good we ate it all on Thanksgiving Day, and the cranberry sauce didn't jell properly, so I'm back to the traditional as described and pictured above. John and I went up to the West Side Market Saturday and bought some wonderful Hungarian crusty white bread, which makes the ultimate old fashioned turkey sandwich. By the way, I think the dressing was so good is that I was out of sage, so I went out into the garden and picked some parsley, rosemary and thyme and used that instead. Excellent.

I spent the first half of my life (so far) under the Catholic church's ruling of no meat on Friday. This meant agony on the day after Thanksgiving, with the turkey sitting in the refrigerator, exuding all its roasted turkeyness, untouchable. If I spent the day with non-Catholic (that's how we described those not lucky enough to be born into the true religion) friends, when their mother would get out the turkey and slice off those luscious pieces of white meat for luncheon sandwiches, I had to eat peanut butter and silently offer up my suffering for the lost souls in Purgatory, as the nuns often advised us to do when in pain. Or I could just curse my ill-born religious luck. We'd stay up until Friday midnight, and as soon as the minute hand moved past twelve, we'd all race to the kitchen and attack the turkey, scarfing it down like those poor starving children in China we were always hearing about.

The irony of all this was that, if we went to Mass on Friday, we could partake of the body and blood of Christ, which if you believe in Transubstantiation, which we' re bound to do, we were eating meat, or flesh and blood, actually. Whichever pope infallibly made up these rules was not much of a logician. I asked our parish pries about Transubstantiation once, asking if it wasn't meant to be symbolic, and he said that it was one of the basic tenets of the Church. In fact, I used to lead the congregation with my guitar in a jaunty little song with the chorus, "Eat His Body, Drink His Blood, Allelu, allelu, allelu!" Well, both the priest and I left the church soon after, he to marry an ex-nun who looked like Elizabeth Taylor at her most gorgeous, I to become pretty much a Druid, never more to urge people to participate in cannablism. Then Pope Juan Two Three opened the windows of the church to let in some 18th century air. and we started having hamburgers on Fridays, and turkey on the day after Thanksgiving, the day that merchants call Black Friday. Yes!

Tuesday, November 23, 2010

Obscure Connection to Fame




I mentioned a couple of posts ago that I would be having a couple of pieces in the Cleveland Museum of Art, drawings I did during the Drawing in the Galleries class. It's not exactly the same as being featured in an actual gallery, but there you are. It's quite a nice exhibit, featuring works from all of the classes from the fall schedule. So we can all brag.

The Degas is one of the dancers from the "Frieze of Dancers," one of my favorite things in the museum. The mask is from the African gallery, and it caught my eye because of the fine hat, made of woven straw, very complex and interesting. As I mentioned before, it was used in a circumcision ceremony and is not a happy face. But the hat is perky!

Annual Turkey Fest

The other day, when I was checking out a bunch of candles for the Thanksgiving table, the check out lady mentioned that she was having 22 people for Thanksgiving. I told her that I would have to lie down with a cold cloth on my head if producing such an event were up to me. My parents had moved far away from their families, so we never had droves of relatives showing up for holiday meals, just our nuclear family of seven, which I think was quite enough for my mother. My job was polishing the apples and arranging the center piece fruit bowl, drapmg the grapes picturesquely. When I married and had my own children, we never went away to relatives' homes at Thanksgiving and that's the way it's always been.

I had only one experience with one of those large, extended family affairs. It was the first year we were married, and my husband and I went down to a small town on the Ohio River, where most of his aunts lived. They were all large women, named Frieda, Ernestine, Beulah and Genevieve. They didn't much like men, a consequence of their father , the local school superintendant, having left their mother in 1915 to marry his secretary and start a whole new family, none of whom were ever mentioned. They themselves had all married, presumably in order to have children, since there didn't seem to be much evidence of affection or even friendship between the spouses once they had each produced one or two children.

We met at Aunt Genevieve's big house, which contained Uncle Herb's general store and the village post office. When my husband and I went into the dining room, with its groaning table, I realized that I was the only woman in the room, among the silent and hungry men. "Where are your mother and the aunts?" I whispered to my husband. "Oh, they'll eat in the kitchen," he said. "They like it that way." Occasionally one of the aproned sisters would come into the room to see if we needed anything. I could hear them in the kitchen, laughing and chatting away, while I sat amongst the men who ate more food than I'd ever seen a human being put away. It was good country food, much of it home-canned. There was no turkey on the table; the women had sliced it in the kitchen and put in on the table in a huge mound on a platter. (My father had always carved the turkey; it was a guy thin in our family.) Needless to say, everything was delicious. But I muttered to my husband that there was no way I would ever eat Thanksgiving dinner in the kitchen wearing an apron.

When I went into the kitchen to help with the dishes, the women were all sitting around the large room on straight chairs, with their plates in their laps, gabbing and laughing. All of the men had left the table and waddled into the parlor to watch football. As soon as the kitchen was clean there came the request for some of that good pie and coffee, which the women dutifully provided on trays for the stuffed sports lovers in the parlor. (I could just see how my mother would have reacrted to these men: "You want pie? I'll give you pie!--Right in your face!") I have a feeling the air in the parlor was not too fragrant, given the amount of food and the speed with which it had been ingested. I didn't venture in, but went outside and had a cigarette with my husband. He had grown up with this holiday pattern and was a bit surprised that I found it strange. But I never ate Thanksgiving dinner in the kitchen on a straight chair wearing an apron. And men can get their own damn pie and coffee in my house.

Others in my family do the big Thanksgiving dinner and have a lot of fun with it. My brother Micheal and his wife have about 40 or so people, all relatives, and my sister Mary Lucille with just her kids and grad kids can add up to about 30 if everyone shows up. Everyone pitches in and nobody eats in the kitchen wearing an apron. We will be just four here, and that will be fine. After dinner we'll watch one of those movies we all love: this year I think it will be "To Kill a Mockingbird," which I'm DVR-ing tonight while I'm up in Cleveland seeing "Billy Eliot."

Good times.

Monday, November 15, 2010

Music! Drama! Theater!


Every once in a while, there's a period of a few days when there are all sort of interesting things happen one after the other. This past week-end started on Friday night with the KSU production of "Brigadoon." Now this is probably the lamest musical ever written - and by Lerner and Loewe yet, the guys who wrote "My Fair Lady." I only went to see it because the university theater department puts on simply splendid musical productions - with the exception of that terrible "Jane Eyre" a couple of years ago. So off we went, not expecting anything too wonderful. BUT the thing was just delightful, thanks to the excellent dancing and singing, the costume design and the lighting. They even did a half way decent job with the Scots accent, usually the downfall of college productions. Way entertaining!

Saturday afternoon, a friend and I went to see "Don Pasquale," the latest HD transmission from the Met. A Donizetti opera, there was fine bel canto singing and a lot of cornball Italian comedy, with the diva a magnificent Russian, Anna Netrebko. I love these HD productions. Between the acts, you get to see them moving the massive sets into place by a team of some hundred stagehands. It was a fun comic opera and nobody died.

Sunday afternoon I went to see "For Colored Girls." I had seen the play years ago and just loved it. When I heard that they'd made a movie of it, I wondered how they would do that, since the play is basically poetry. I had also heard that Tyler Perry was producing it and he is the guy who dresses up as a bossy woman and that he had played the Chittlin' Circuit for years with comedies amid a the Black community. Since this isn't a comedy, I wondered what he would do with it. I must say he did a good job and respected the original work. This is not an easy story to watch, since it involves not only the impact on women of racism, but of sexism and violence against women as well. The cast is first rate, consisting of some of the best actresses in film and theater. It is certainly not and Italian comedy.

Sunday evening I went to hear the KSU symphony up on campus. The first piece was probably the most annoying music Beethoven ever composed. It was a triple concerto for cello, violin and piano and consisted of the same melody over and over again - not even variations, just the same damn melody in the first and third movements, with about ten possible endings that never happened....well, until it finally did after I had given up all hope of that happening. The players were great, but someone needed to tell Ludwig that it was really boring. Maybe he compose it after he lost his hearing and he didn't know he was being repetitive. The final piece was Brahms' 4th symphony, which started badly but ended perfectly. It was a fine evening.

So that was my week-end of music, drama and more music. So tonight I'll watch "Dancing With the Stars" and come down to earth. With a bang.

Tuesday, November 9, 2010

Poetry on the Cheap


When my mother was growing up in the early days of the 20th century, one of her main pleasures was reading. Her own mother had always read to, and sung to, her children. There was a great library in their small New England city and my mother treasured the opportunity to explore the shelves and find books to enjoy.

When my mother was in her eighties, she received letter from a long ago play mate, someone she hadn't seen or heard from in probably 65 years or so. This woman had lived with her grandmother next door to my mother's family. Her father was a vaudeville performer, a widower, and often away on the road for long stretches of time. She was writing after many years, to tell my mother how much she had loved coming to their house, because there was a love of books and music, and that she had gotten her life long love of reading from listening to my mother's mother reading to her children, or anyone else who happened to be there. This pleased my mother n o end, and I thought it was just a fine thing to hear.

My mother took after her own mother, and when we were little, she would read to us every night at bedtime. She'd also sing us songs she had learned in her childhood.One of my favorite poems was "Winken, Blinken and Nod." A few years ago, I found a copy of the very Eugene Field picture book of poems from which she read to us. It has in it, "The Sugar Plum Tree," "The Calico Cat and the Gingham Dog" which she also read. The book has the most bizarre illustrations in it, which used to fascinate us, and finding's this book in a used book store, simply swept me away into the past.

One song that she sang was "Babes in the Woods," a terrifying tale of two little children who were stolen away on a bright summers' day and lost in the woods so I've heard people say. Well, they end up dead, of course. The tune is mournful and somewhat lugubrious, and we would wail and Mother would say, "I'm not ever going to sing that song again." I mean,, my sister and I were two little children! It was only a few years later, after we had moved to Georgia from New Jersey that the Lindbergh baby was kidnapped. In New Jersey! Anyway, a few nights later, we'd beg her to sing it again, she would, we would wail, and so on and so on. I think we finally got over it when we reached our teens.

When the Depression hit, we moved to Atlanta, where my father had been transferred by Fairbanks -Morse. In the move, we lost our "Winken" book, but mother found these fine little books of poetry in the dime store. These are not our original copies, but ones that I once again found in used book stores Again , looking at then is another step into my childhood. The poems range from Shakespeare to T.S. Eliot. They are amazing, given the general illiteracy of out current time. These little books probably cost all of 15 cents.

The ones for children have all the wonderful children's' poets of the time: Rose Fyleman, Rachel Field, Cristina Rossetti, Robert Lois Stevenson, Eleanor Fajeon, Edward Lear and more. Along with them, were Robert Frost, Yeats, Wordsworth, John Masefield and other poets who wrote so wonderfully about life and nature in ways that children could appreciate. There were quite a few poems about fairies. That would never go over now. I think today's kids would even let Tinker Bell die.

One little book that mother bought for herself had several poems that I liked to read because they made me sad: Poe's "Annabel Lee," a mournful tale of lost love- and death, and a truly heart-breaking poem, "Four Little Foxes," tiny newborn kits whose mother ..."Her feet within a trap, her blood upon the snow.." has left them shivering and blue with cold... I tell ya, it's unbearable! I guess I had a morbid streak at 8.

It's all about words and imagery, and all in these cheap little books with black and white illustrations!